- #Canon rebel t3i review techradar full#
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- #Canon rebel t3i review techradar series#
Max Burst Duration RAW (at highest frame rate) Polycarbonate, Aluminum, Fiberglass, and Stainless Steel Polycarbonate, Fiberglass and Stainless Steel Take a look at the chart below to see the details:
#Canon rebel t3i review techradar full#
Because the sensor has such high resolution, the digital zoom can simply make use of a smaller area of the sensor to capture the video, and there will still be plenty of receptors in the area to provide the full 2 megapixel resolution of 1080p.īeyond the items mentioned above, the Canon T3i is very much like the T2i, which was already quite similar to the 60D.
The T3i’s sensor, as we know, is 18 megapixels, so even when the highest resolution video is captured, only a small part of the available information from the sensor is being used. The highest resolution that our HDTVs can display today is 1080p, which is 1920 x 1080 pixels, just a hair over 2 megapixels. The digital zoom of the Canon Rebel T3i is a different story, and it’s actually an ingenious use of the extraordinarily high resolution sensor designed for the still camera. 3 megapixels, but with the pixels enlarged to fill the screen. So, if the full sensor captured 1 megapixel, for example, the cropped image might only be displaying a small portion of that information… perhaps. Digital zoom traditionally has involved using the same captured information from the sensor and simply cropping in, basically magnifying a lower resolution portion of the frame, which caused a significant degradation of quality.
“Digital zoom” has always been a dirty word in the past we’ve seen it on camcorders and point and shoot digital cameras since the end of the 1990s. The latest incarnation of the Rebel appears on the scene with the same high resolution, articulated LCD as the 60D, integrated wireless strobe control, new shooting modes, a host of in-camera processing “creative” options, and perhaps most significantly in the video department are cropping mats (to preview different aspect ratios on the LCD while recording) and… digital zoom. Both cameras now feature an articulated LCD.Įnter (4 months later) the Canon Rebel T3i (also known as the 600D). Matthew Gore | Light And Matter Rear view of the Canon 60D (left) and Canon T3i (right). The 60D also had the often overlooked (by me) advantage of wireless strobe control without the addition of the Canon ST-E2 transmitter. To the average consumer, the major differences were that the 60D had a spiffy new articulated LCD, a somewhat sturdier feeling body, and slightly faster shooting frame rates and shutter speeds.
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It also sported the same 18 megapixel sensor as the T2i, the same ISO range, the same number of focus points, and the same video capabilities.
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The 60D, however, had dropped the magnesium alloy body of the 50D and previous x0D series models in favor of a lighter, consumer oriented polycarbonate body. The Canon 60D was released into a market that was already dominated by the popular and inexpensive Canon Rebel T2i / 550D. Let me say before anything else that the Canon 60D is still probably the superior camera, but it may be difficult for most entry level photographers to pass by the T3i to get to it.
We saw it happen with the Canon 1Ds Mark III and the subsequent 5D Mark II, then again (to a lesser degree) with the 5D Mark II and the Canon 7D (because of the latter’s superior AF system), with the 50D and subsequent Rebels T1i and T2i, and now it seems that the announcement of the Canon T3i threatens to do the same with the 60D. Canon seems to be exploring a fancy new business model in which they release a product and then shortly afterwards announce a similar, less expensive one that also has some slick new features, all but sealing the fate of the earlier product. Canon T3i vs 60D: The Canon T3i’s release so soon after that of the Canon 60D is cause for speculation.
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